Every so often I get a student who wants to learn (or
says so anyway) but is very concerned about their ‘writing style’. They are
anxious that being taught writing might influence their writing style which
they view as being very distinct to them and in need of protection.
I then have to explain house style and how if they are
going to write for a publication (we’re talking about magazine and newspaper
writing here) then they need to adapt their style to said publication.
Now in fiction writing style is more of an issue.
Compare two authors – say Marian Keyes and Zadie Smith. Yes they are both
pretty different genres, but also the styles in which they write are both very
different. With fiction writing you have more leeway with ‘your style’, but
with magazine and newspaper writing, as with other nonfiction work, it is house
style which matters.
Think about ghost writing. The ghost writer’s job is
to write the book in the style of the named author. That same ghost writer may
also have written a book under another person’s name with a very different
style. One of the qualities of a good ghost writer is being able to adapt
writing style.
Looking at two examples of article I have written, one
in The Guardian, and one for Parentdish you will notice that the styles are
very different, really because the subject matters and the publications are
very different. When I am writing an article it is house style which is
foremost in my mind. Yes I do have my own style of writing, but as a professional
writer that has to be adaptable to the publication.
Anne Wollenberg demonstrates my point in these two articles,
one in The Independent and one in The Guardian. Right they are both broadsheets,
but the subject matters are very different and deserve different styles.
Editors aren’t interested in your style. They are
interested in whether you can write in their style.
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